(单词翻译:单击)
Books&arts
来源于《图书与艺术》版块
Art on the internet
在线艺术
The online of beauty
在线之美
Like all cultural institutions, galleries and art fairs are adapting to a new reality
与所有文化机构一样,画廊和艺术博览会正在适应新的现实
Art Basel Hong Kong, Asia’s biggest contemporary-art fair, was cancelled because of covid-19, but anyone who had planned to visit last week could enjoy an experimental alternative: the viewing room. At the click of a keyboard, you could enter a panoramic but private visual salon, without having to brave the airless Hong Kong Convention and Exhibition Centre.
亚洲最大的当代艺术博览会——香港巴塞尔艺术展因covid19而被取消,但任何上周计划参观的人都可以享受一个实验性的替代选择:播映室
。只需按一下键盘,你就可以进入一个全景但私密的视觉沙龙,而不必在空气不流通的香港会议展览中心里穿行 。
Participating galleries were told that, for a quarter of the original fee, they could have a slot in the online fair. Over 90% of the line-up—231galleries—gave it a whirl, offering more than 2,000 works worth $270m in total. The viewing room was a telling indication of how art might be shown (and sold) in the future, in a pandemic-stricken era or if travel is otherwise restricted. It offered encouragement—and some lessons on digital engagement.
参与展览的画廊被告知,只需原费用的四分之一,就可以在网上展览会上占有一席之地
There, on one webpage, was Jeff Koons riffing on Botticelli’s “Primavera” in a tribute to the history of painting at David Zwirner Gallery. Ota Fine Arts offered one collector the chance to acquire an “infinity room”, one of the most Instagrammed artworks of recent years—the creation of the psychedelic, nonagenarian Japanese artist, Yayoi Kusama. White Cube presented an array of international works by Andreas Gursky (German), Theaster Gates (American) and Beatriz Milhazes (Brazilian). But not every artist, gallery and form showed to equal advantage in this alternative fair.
在其中一个网页上,杰夫·昆斯在大卫·兹沃纳画廊为纪念绘画史而翻唱波提切利的《春》
译文由可可原创,仅供学习交流使用,未经许可请勿转载 。