琳恩:拉姆塞:细节的诗意
日期:2022-10-12 15:25

(单词翻译:单击)

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Hi, my name is Tony and this is Every Frame a Painting.

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大家好,我是托尼,这里是电影艺术评价VRNv*yG*vrO=ngXPKW

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When I say a film is poetic, what pops into your head?

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当我说一部电影很有诗意时,你会想到什么?

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Do you think it's slow?

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这部电影节奏很慢?

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Pretentious?

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孤芳自赏?

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Plotless?

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没有情节?

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"Is she gonna wake up and do something?"

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“她会醒来做点什么吗?”

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These are the cliches.

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这些都是陈词滥调-euf&Q3dvvM98j

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"No."

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“不会C8b.=GqKBO~fjr_Sl。”

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But to me, poetry in cinema is when I can ignore the plot and just appreciate the picture and the sound doing something unique.

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但对我来说,电影中的诗意可以让我忽略情节,只欣赏这些独一无二的画面和音乐3A+TD85)Td

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"The films that I constantly revisited or saw repeatedly..."

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“我不断地重温或反复观看一些电影……”

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"Held up longer for me over the years not because of plot..."

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“几年之后还在反复观看,不是因为它的情节……”

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"But because of character..."

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“而是因为它的角色……”

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"And a very different approach to story."

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以及一种非常不同的叙事方式+)z11y|GZG,tneNO7m[d

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"You know, The Wrong Man, for example."

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“你知道,比如《伸冤记》r7,%e3T*gQ~67。”

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"I talked about the paranoid camera moves, the feelings of threat, the fear, the anxiety, the paranoia."

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“我谈到了让人产生恐惧感的镜头移动——威胁感、恐惧、焦虑、多疑7FYNlkMPI~id*E42#u。”

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"It's all done through the camera and the person's face."

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“这一切都是通过摄像机移动和人的表情来完成的!fm%)a1G[7N。”

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"It is the same."

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“是一个人c9w~tRs,g9ht|Wx;F。”

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Lynne Ramsay's work has this same quality.

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琳恩·拉姆塞的作品也具有同样的品质6m;s8*C8ttd|2q6y7z

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Everything is conveyed through the camera, the person's face and the details...

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一切都是通过相机、人的表情和细节传达出来的……

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"But some things that I shoot are very, they are really controlled I know exactly why I want them..."

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“但我拍摄的一些东西是完全受我控制的,我确切地知道我为什么想要这么拍……”

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"I will spend ages to get that exactly right and it's because for me..."

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“我会花很长时间真正得到我想要的镜头,因为对我来说……”

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"The details in that are saying everything about the scene."

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“细节说明一切yymHPPDr3B。”

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But what can we learn from a detail?

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但我们能从细节中能得到什么呢?

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Here's an example.

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让我们举一个例子^H0@)gQro1UB|W!3b*B

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In this scene, a son taunts his mother by misbehaving just before his father...

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在这个场景中,一个男孩就在他的父亲回来之前,嘲弄了自己的母亲l)D@E9m&bXT|

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"Hey guys."

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“嗨,伙计们@Za.vBnvcZs)。”

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"Hey dad, how was work?"

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“嘿,爸爸,工作怎么样?”

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"Take any cool pictures?"

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“拍了什么很酷的照片吗?”

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Notice that the father is placed just on the edge of the frame, because while he's around, he doesn't really pay attention.

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请注意,父亲被放在了画面的边缘,因为他并没有关注发生了什么v1u&hQVUzg@W4-A

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Later on, when he tries to ignore her fears...

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后来,当他想要忽略她的恐惧时……

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"He's a sweet little boy."

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“他是个可爱的小男孩[VFP^F2n#xAI~p6bp。”

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"That's what boys do."

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“男孩子就是这样;H7ThG[1i+-SQ%。”

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We still don't see his face.

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我们还是看不到他的脸bAfQCDA)+,Pj5

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Instead, we get this shot.

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相反,我们得到了这样一个画面IEY6Lyn8onqih,(3s1

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What does this detail tell us?

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这一细节告诉了我们什么?

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Well, literally they haven't cleaned up the mess and it's gotten worse.

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从表面上看,他们还没有清理残局,而且情况还变得更糟HR-18%-7zdagWP=

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But what about metaphorically?

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但它有什么深意呢?

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What does this say about them and their son?

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这对他们和他们的儿子来说意味着什么呢?

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What's interesting about Lynne Ramsay's work is that the entire story is implied through these detail shots.

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琳恩·拉姆塞作品的有趣之处在于,她的故事充满了这些饱含暗示的细节gt6oSsO]KN~M=~6Dy1

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And she doesn't get this effect by putting lots of stuff in the frame but by taking things out, so that you focus on one detail at a time.

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她不会一下在画面中塞入很多细节,而是让一个画面的内容尽可能地少,这样你就可以一次专注于一个细节F%xMkLXAnsw6JZa

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"I think that Robert Bresson had a really good quote about that..."

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“关于这一点,我认为罗伯特·布雷森有一句话说得非常好……”

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"It was something like..."

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“大概是说……”

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"'When the image is doing everything, don't have any sound.'"

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“‘当画面有内容的时候,就不要放太多声音yDCp466P2&UEkU,~Fws。’”

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“'And when the sound's doing everything, don't have any image.'"

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“‘当声音中含有信息时,就不要让画面太杂乱;6gkyMp,sA&~+p7|ub。’”

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"I mean, don't do something too fancy with image."

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“我的意思是,不要让画面太花哨w,m[j;(.DksihyyC。”

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This is one of the things film is great at: evoking a state of mind purely through image and sound.

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这是电影最大的长处之一:纯粹通过图像和声音唤起一种精神状态1!^thR0b|f8rrTXq|NJ

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When you work like this, everything depends on the framing, the person's face, and the repetition of details.

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当你像这样做时,一切都取决于画面、人的表情和细节的重复CIwX]P-p4wc5e;xwOHHL

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