查克·琼斯——艺术家的养成(下)
日期:2022-10-05 15:25

(单词翻译:单击)

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There is a danger to this approach.

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但这种做法存在危险Cva79NMSHG6w=fe2

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If you just focus on great jokes with the same well-defined characters, you can easily get trapped in a formula.

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如果你只靠那些有设定的固定角色创造笑话,很容易导致人物的公式化WfSLHc%DDtnoG*~];

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"Sometimes I feel very sorry for the Coyote."

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“有时候,我觉得歪心狼真可怜.LyS9-YF[+T_Ov8m;Py。”

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"Sometimes I wish he'd catch him."

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“我真希望他能抓住他(BB鸟)9]awfQj|Ig@I@gh[b=。”

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"If he caught him, there wouldn't be any more Road Runner."

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“如果抓住了,就没有《BB鸟》看了3)6-DA3~yRfgZ8。”

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"You wouldn't like that, would you?"

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“你也不想这样,对吧?”

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So to avoid this problem, Jones did something.

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因此,为了避免这个问题,琼斯做了一些工作cn,vjGM26uiml

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This is one of the defining aspects of his work.

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这是他工作的重要一部分iQw8VrLctrL1H!

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It's a word that he uses and that other people use about him.

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这是他经常说的一个词,也是其他人用来形容他的一个词O0_]8oaO[cTlv|GZed

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"Beep Beep!"

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“哔哔!”

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"It also stands out as an example of the kind of discipline Chuck Jones liked to set for himself."

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“这也是查克·琼斯严格遵守的一个纪律l)C&3&eN&Vv。”

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"This is the vital factor in all comedy or all drama."

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“这是所有喜剧或戏剧的关键因素qEFhM%sgVF[|[&DP。”

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"It's what are your disciplines?"

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“你们定下了什么纪律?”

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Discipline.

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纪律Q!mGk0I7oc

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The challenges and restrictions you set for yourself.

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为自己设定挑战和限制1HGq33IP&[&IvWEmJ,]K

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Like designing a character with no mouth...

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例如设计一个没有嘴……

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Or no face...

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或者没有脸……

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Or using no dialogue except for this.

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或者除了下面这些内容没有其它对话的角色T&a+=T1j^+jtAKvC

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"Hello my baby, hello my honey, hello my ragtime gal."

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“你好我的宝贝,你好亲爱的,你好我的拉格泰姆女孩2p.**vJsR0q。”

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Because animation lets you do anything, you have to think about what you won't do.

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因为在动画世界里什么都可以做,因此你必须思考不能做什么T=iF7cBZcVL6=-FF

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And in Jones' case, there were lots of rules about the world, the characters and their behavior.

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在琼斯的动画中,世界观、角色和角色的行为都遵守着很多纪律,OroNec.YEQ*^

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For instance, Bugs Bunny never picked a fight.

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例如,兔八哥从不挑起战争G!y3*KDNWfe@

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Somebody had to do this...

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必须有人先挑起争端……

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"Kill the wabbit!"

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“杀了兔纸!”

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"Kill the wabbit!"

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“杀了兔纸!”

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"Kill the wabbit!"

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“杀了兔纸!”

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and only then would he fight back.

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只有到那时,他才会反击0oQzml~K(-W

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"Kill the wabbit?"

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“杀了兔纸?”

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"Bugs Bunny is not just an insane rabbit."

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“兔八哥不只是一只疯狂的兔子ShEG4U3%05SUImwYBf(。”

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"Somebody's always trying to get him."

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“总是有人想要抓住他DF.Z~ZqPU4Dsk,(n。”

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"And he's retaliating."

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“所以他要复仇]9@|~CF3(jD595HN4。”

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" "He has to be provoked."

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“必须有人激怒他u#N.DRD&]BVf0。”

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"And we learned that."

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“我们明白这一点o_J5u58jnLnvP%.T。”

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"It was very important that he be provoked."

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“激怒他是非常重要的tCVt|s&#knE。”

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"Because otherwise, he'd be a bully."

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“要不然,他就成恶霸了x8YpR#TV[_.Cgv。”

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"Of course you realize this means war."

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“你肯定知道这是在宣战了1v@9Yl%9hd-。”

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A similar restriction happened to how the characters expressed themselves.

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角色的表达方式也受到了类似的限制xiF*QNM|kv

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Early on, they tended to go through a quick barrage of facial expressions.

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在早期,他们会让角色快速做出很多不同的面部表情|mI=YZr*~WP(B[TJ

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But over time, these grew less and less.

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但随着时间的推移,这种表达方式使用得越来越少&E0kXO9thUp

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"Particularly in the later films Chuck became very fond..."

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“特别是在后来的电影中,查克变得非常喜欢……”

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"of using the smallest possible gestures, facial gestures to get laughs."

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“用尽可能细微的面部表情来博得笑声7=ysEt8jV-.xK()。”

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"Chuck's facial expressions were the best in the business..."

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“查克的面部表情是业内最棒的……”

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"Because he was a minimalist."

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“因为他是个极简主义者IzJv+TPRnY1Fzq。”

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"All humor grows from two things."

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“所有的幽默都源于两点Fmw*~Z=1B)1)A(Y]xdA@。”

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"All humor, I believe, comes from human behavior and logic."

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“我相信所有的幽默都源于人类的行为和逻辑axYxcY+L6]。”

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"If it's not logical it's not gonna be funny and if it doesn't come from human behavior, how the hell do you know it's funny?"

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“如果一件事不合逻辑,那就不可能好笑;如果不是源于人类的行为,你怎么会觉得这好笑?”

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Think of it this way: this is human behavior.

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让我们这样想:这是人类的行为rn-94)9FY0

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"Ha ha!"

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“哈哈!”

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"Now!"

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“就是现在!”

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That was logic.

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这是逻辑e;96vmGdtQK85W

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And the logic is something you improve at over time.

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逻辑是可以随着时间的推移而不断学习的,o_[ujdoshdAW_K88Hf

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But what about human behavior?

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但人类的行为呢?

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How do you improve at understanding that?

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如何提高对这一点的理解?

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The truth is, there's only one way.

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事实是,只有一种方法_CT7^qR+vu~

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And it's not by watching films.

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不是通过看电影SSk3]yrkPEUswl

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"When you talk to Chuck, he is always encouraging you to go to the source: to study real life, to study art..."

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“当你和查克交谈时,他总是鼓励你追根溯源:研究现实生活,研究艺术……”

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"and apply that to your animation."

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“并将其应用于动画E@PRV8q@+Rz&3#。”

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"It's not just drawing funny faces."

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“制作动画不仅仅是画滑稽的表情wBlQEd5^xUp94WtC。”

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Jones believed it wasn't enough to just watch movies.

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琼斯认为,仅仅看电影是不够的c9*(geQ0&6|(

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You had to have interests outside of film.

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你必须有电影以外的兴趣Jlq%_%;|PvR=DUS&d),

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You had to study real life.

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你必须研究现实生活X&B_DLYIHNx7

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Most of all, he encouraged this: "Reading."

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最重要的是,他鼓励做这件事:“阅读Y]!I)YekvaX7@KkSIGv。”

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"Read Everything."

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“什么都读,o)J3x8P^dEJ6m。”

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"It doesn't do you much good to draw..."

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“画画是没什么用的……”

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"unless you have something to draw."

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“如果你连要画什么都不知道-1mfvx_CgDW。”

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"and the only place you can get anything to draw..."

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“唯一能给你的画提供灵感的……”

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"is from out of that head."

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“是你的头脑3ikxgImZKU&gG1V67;d。”

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"And the only way that you can exercise the mind is by bringing new ideas to it."

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“而锻炼头脑的唯一方法就是不断获取新的想法;Agt*0&4MI。”

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"So it'll be surprised."

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“这样大脑就会很惊讶O~c3;UpXl.KCGKeLRbZ。”

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"Yes?"

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“怎么了?”

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"And say 'God, I didn't know that.'"

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“然后说‘天哪,我都不知道0g(D5;p8J(1ePcgM*。’”

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"That's the greatest thing in the world that 'Gee I didn't know that.'"

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“这是世界上最伟大的事情,‘天哪,我不知道这个p9F)L2AZN9]s~2I。’”

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"And there you are, you know?"

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“就是这样,你知道ENM%UcSVqn*H)U3f。”

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There you are.

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就是这样H6vIGabO2Eu44.HQMr

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It's not just about gags.

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不仅仅是笑料Z137n)NcKPsud

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Not just about characters.

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不仅仅是角色ZV+[*I_r_=v_D2

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Not just about discipline.

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不仅仅是纪律^sl^ur9k=l^LNgY

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It's about studying the real world and learning something new.

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你要研究现实世界,学习新的东西=A=&nDZPwU

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Then putting that back into the work.

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然后把它们重新投入到作品中pd2^,u7%Zy

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In other words, inspiration.

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换句话说,就是灵感.td^-!2T@;0Y#xhI3Nj

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And the great thing about this kind of inspiration?

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这种灵感的伟大之处在哪里呢?

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"You can find it anyplace."

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“你在任何地方都能找到它+x5Ywz%gei。”

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"You can find it anyplace."

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“在任何地方都能找到eMm1H52g&,p。”

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