His whole high, broad form, seemed made of solid bronze, and shaped in an unalterable mould, like Cellini's cast Perseus. Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck, till it disappeared in his clothing, you saw a slender rod-like mark, lividly whitish. It resembled that perpendicular seam sometimes made in the straight, lofty trunk of a great tree, when the upper lightning tearingly darts down it, and without wrenching a single twig, peels and grooves out the bark from top to bottom ere running off into the soil, leaving the tree still greenly alive, but branded. Whether that mark was born with him, or whether it was the scar left by some desperate wound, no one could certainly say. By some tacit consent, throughout the voyage little or no allusion was made to it, especially by the mates. But once Tashtego's senior, an old Gay-Head Indian among the crew, superstitiously asserted that not till he was full forty years old did Ahab become that way branded, and then it came upon him, not in the fury of any mortal fray, but in an elemental strife at sea. Yet, this wild hint seemed inferentially negatived, by what a grey Manxman insinuated, an old sepulchral man, who, having never before sailed out of Nantucket, had never ere this laid eye upon wild Ahab.
他整个高大的身材,似乎是用坚硬的古铜塑成的,塑成一个无法改动的模型,有如切林尼塑出来的柏修斯。你可以看到有一条细长的。青白色鞭痕似的东西,象根线一般从他那簇灰发里蜿蜒而出,直顺着他那焦黄色的半边脸和脖子而下,消失在衣衫里。它仿似天上的闪电,猛烈地击了下来,落在一棵笔直。高耸的树身上,往往就这样留下了一道垂直的线痕,却没有损伤一枝嫩枝,只是把突出土面的树干从顶到底划了一条细沟,剥了一细条树皮,大树虽还长得绿油油,却已刻上了痕记。他这个痕记究竟是天生的,还是因为受了什么重伤而留下来的疤,谁都说不准。关于这事情,象是出自一种默契那样,在整个航程中,人们,特别是大二三副都一点也没有提起。不过,有一回,塔斯蒂哥的长辈,那个该黑特印第安老水手,却迷信地认为亚哈一定是在四十足岁的时候才长上这么一条痕记的,他还说,当时发生这事情,决不是因为跟人家吵架,而是在海洋的暴风雨里弄出来的。然而,这一荒唐的说法却似乎又被一个人岛,老头的暗示从推论上给否定了,这个阴沉沉的老头从来没有离开过南塔开特,以前也从来没有看到任性的亚哈。